Irene Carlson Gallery of Photography
University of La Verne
La Verne, California
through May 21, 2010
9 a.m. to 9 p.m. Monday through Friday
While American Agriculture’s dependence on migrant farm labor is evident, when placed in contrast with the dire circumstances these essential workers experience while helping make food available for the world market, it is hard to imagine a larger disparity between necessityand compensation.
For nearly two decades, David Bacon has documented the struggles experienced by immigrant workers and their families, detailing the challenges and conditions faced by these often overlooked members of society in a number of highly acclaimed books, articles and photo series, all providing the public a glimpse of a community that otherwise often goes unseen.
“Farm Workers” shows the hard working conditions faced by these communities. The images highlight the issue of immigration and show the consequences of economic dislocation in Mexico. The exhibit – a partnership between Bacon and California Rural Legal Assistance and its Indigenous Farm Worker Project – is supported by the Binational Front of Indigenous Organizations (FIOB), a network of Mexican indigenous communities in the U.S. and Mexico. The communities documented include Mixtecos, Triquis, Zapotecos, Chatinos, and Purepechas living in San Diego, Coachella, Arvin, Oxnard and Santa Paula, Santa Maria, Fresno and Selma, Salinas and Greenfield, Santa Rosa, Fairfield andCorning.
Bacon is sharing his work with an ongoing photo exhibition at the University of La Verne. The exhibit, “Farm Workers,” is on display through May 21, 2010, at the University of La Verne’s Irene Carlson Gallery of Photography. This event is also intended to bring attention to the university’s photography major.
Admission to the gallery, located on the ground floor of Miller Hall on the university’s main campus, is free.
Bacon is the author of several books, including “Illegal People: How Globalization Creates Migration and Criminalizes Immigrants,” “Communities Without Borders: Images and Voices from the World of Migration,” and “The Children of NAFTA: Labor Wars on the U.S./Mexico Border.” His work has been exhibited in the U.S., Mexico, Germany and the United Kingdom.
The Carlson Gallery is open to the public from 9 a.m. to 9 p.m. Monday through Friday, or by special appointment. For information on the exhibit, the artist reception or the Carlson Gallery, contact Gary Colby at (909) 593-3511, ext. 4281.
from: “Photo exhibit focuses on laborers”
La Verne University Campus Times, April 30, 2010
Rachel Smith, Staff Writer
David Bacon’s photography exhibit “Farm Workers” at the Irene Carlson Gallery exposed the difficult conditions faced by most immigrant farm workers. “The photos are a reality check,” Bacon said. “Food doesn’t automatically appear on the Safeway shelves.”
The ULV students that filled the exhibit were affected by the extraordinary images. The ULV staff and students provided great behind the scenes support to help make sure the event was a success. Gary Colby, professor of photography, and Kevin Bowman, photography department manager, were the key staff members that brought the exhibit to life. Colby selected the artist, while Bowman focused on printing the images that Colby and Bacon picked for the exhibit.
They capture men and women working side-by-side doing the same very physically demanding jobs. “Some of these images break the stereotype of a farm worker,” Bowman said. The images not only focus on male Mexican farm workers, but also touch on immigrants from India and women farm workers.
Bacon emotionally reached the students at ULV. He stirred inside them a desire to learn and become aware of the difficult life situations. “It makes me feel like there is a lot going on that I’m not aware of,” said Grady Thomas, junior communications major. “I need to be more aware of what’s happening.” Thomas and fellow communications major Pui Lok Choi helped promote Bacon’s exhibit as a school project.
As an adult, Bacon was a union leader and began to see the injustices that immigrants were facing in the labor world. His passion and desire to document the hardships eventually became full-time work for the union organizer turned artist. “We are all here to work,” Bacon said. “That’s what we have in common no matter the race or work you do.”
For more articles and images, see http://dbacon.igc.org
See also Illegal People — How Globalization Creates Migration and Criminalizes Immigrants (Beacon Press, 2008)
Recipient: C.L.R. James Award, best book of 2007-2008
See also the photodocumentary on indigenous migration to the US
Communities Without Borders (Cornell University/ILR Press, 2006)
See also The Children of NAFTA, Labor Wars on the U.S./Mexico Border (University of California, 2004)
David Bacon, Photographs and Stories