Democracy Now Interviews Harry Belafonte On Art And Using The Platform You Have

“Sing Your Song”: Harry Belafonte on Art & Politics, Civil Rights & His Critique of President Obama

Play_belafonte

Interview on Democracy Now! by Amy Goodman. Legendary musician, actor, activist and humanitarian Harry Belafonte joins us for the hour to talk about his battle against racism, his mentor Paul Robeson, the power of music to push for political change, his close relationship with the Rev. Dr. Martin Luther King, Jr., and the U.S. role in Haiti. A new documentary chronicles his life, called Sing Your Song. The son of Jamaican immigrants, Belafonte grew up on the streets of Harlem and Jamaica. In the 1950s, he spearheaded the calypso craze and became the first artist in recording history with a million-selling album. He was also the first African-American musician to win an Emmy. Along with his rise to worldwide stardom, Belafonte became deeply involved in the civil rights movement. One of Dr. King’s closest confidants, he helped organize the March on Washington in 1963. “Going into the South of the United States, listening to the voices of rural black America, listening to the voices of those who sang out against the Ku Klux Klan and out against segregation, and women, who were the most oppressed of all, rising to the occasion to protest against their conditions, became the arena where my first songs were to emerge,” Belafonte tells Democracy Now! [Click here to view the broadcast or to read the transcript]

Telling the Truth about/in the Native Land

Telling the Truth about/in the Native Land

Reading through the labor press of 1943 and 1944 I found this item about censorship in Chicago.  The film was Native Land, originally produced between 1938 and 1942 (when it was

Martin Dies, chairman of the House Committee on Un-American Activities

released) as a response to the right wing “March of Time.”  The film features Paul Robeson as a narrator and mixes documentary footage as well as dramatic reenactments of, for example, KKK attacks and union defense against labor spies and thugs.  (Click here to find out more about the film and the plot and here.) The context was the predations of the precursor to the “Un-American Activities” investigations, the committee led by Texas member of the House of Representatives, Martin Dies.  The committee name was changed to its more well known appellation from the “Dies Committee” in 1946.    In 1938, the year that work on Native Land was begun (under the working title, later discarded, of Labor Spy), the Dies Committee subpoenaed Hallie Flanagan, head of the Federal Theater Project, to investigate its infiltration by communists.  Member of the committee Joe Starnes achieved notoriety by asking Flanagan if Christopher Marlowe was a member of the American Communist Party, and whether the playwright “Mr. Euripides” preached class warfare.  The environment in which Native Land was censored in Chicago also saw the labor press calling for the disbanding of the Dies Committee for its anti union activity.

from Federation News, Chicago Federation of Labor

Lifting the Veil: The Democratic Party As The Graveyard Of Social Movements

Lifting the Veil: Obama and the Failure of Capitalist Democracy

“Lifting the Veil is the long overdue film that powerfully, definitively, and finally exposes the deadly 21st century hypocrisy of U.S. internal and external policies, even as it imbues the viewer with a sense of urgency and an actualized hope to bring about real systemic change while there is yet time for humanity and this planet. See this film!”
-Larry Pinkney
Editorial Board Member & Columnist
The Black Commentator

Sub-headed “Barack Obama and the failure of capitalist democracy”, this film explores the historical role of the Democratic Party as the “graveyard of social movements”, the massive influence of corporate finance in elections, the absurd disparities of wealth in the United States, the continuity and escalation of neocon policies under Obama, the insufficiency of mere voting as a path to reform, and differing conceptions of democracy itself.

Original interview footage derives from Noam Chomsky, Michael Parenti, Michael Albert, John Stauber (PR Watch), Sharon Smith (Historian), William I. Robinson (Editor, Critical Globalization Studies), Morris Berman (Author, Dark Ages America), and famed black panther Larry Pinkney.

Non-original interviews/lectures include Michael Hudson, Paul Craig Roberts, Ted Rall, Richard Wolff, Glen Ford, Lewis Black, Glenn Greenwald, George Carlin, Gerald Cliente, Chris Hedges, John Pilger, Bernie Sanders, Sheldon Wollin and Martin Luther King.

Visit http://metanoia-films.org/compilations.php for more info.

There But For Fortune: The Film Bio of Phil Ochs Reviewed By Howard Romaine

SIXTIES SINGER-SONGWRITER-ORGANIZER PHIL OCHS BIO OPENS

By HOWARD ROMAINE, writer, http://www.thetennesseetribune.com/

Just days after its opening in Boston, DC, and other places, the new film biography of Phil
Ochs opened in NASHVILLE at the Belcourt Theatre. If one wants a good, brief biography of the
sixties, taught from the perspective of the ‘singer-songwriter,’ this is the movie. If one wants to see
the origins of the singer-songwriter ‘folk’ crowd before it moved out to places like Nashville, New Orleans, Boston, San Francisco and Macon, and Atlanta, Georgia, Austin, Texas, and Woodstock, New York, this is your movie.
If one is younger, and wants, from lack of personal knowledge,  a puzzled back look
at what all the musical and cultural excitement and horror of the sixties was about – from the perspective of the young and engaged – this is the one movie one should see, and have history classes see.

http://trailers.apple.com/trailers/independent/philochstherebutforfortune/

From the early photos, movies and songs about the election of President Kennedy and his idealistic energy to the spread of this spirit to “Negroes” demanding the vote, or a seat at the table, to images of the death of Medgar Evers, and Malcolm X,  to the dogs attacking demonstrators in Birmingham, one gets the perspective and the reactions of the young folk crowd in New York, and, in effect, literary commentary on those events which were, at least in my case, as a college student of the era, the ‘facts’ as well as the ‘feelings’ about the facts which only songs, and songs from a certain milieu, in this case, Greenwich Village, and the urban sophisticated ‘south’ of ‘the movement,’ and the folk and coffee houses there, could provide.

Omission – the black presence and creative factor

Unfortunately, for me, the movie fails to provide much of the ‘black song’ which also arose from and enveloped these events – songs by Nashville and New York’s Julius Lester, or Cordell Reagon, or LA’s Lynn Chandler, or Albany and Atlanta’s Bernice Johnson Reagon, who met and married Nashville’s Cordell in the SNCC’s ‘Freedom Singers,’ and continued to  create, throughout her career, the musical soundtrack to the resistance to the racist repression of the sixties and ensuing years, rising to a high tide with Barry Goldwater, and his clone, Ronald Reagan.

After an early career with the SNCC Freedom Singers, and a move to DC for a Ph.D. at Howard in Musicology, Dr. Bernice Johnson Reagon’s created and sustained the acapella genius of Sweet Honey in the Rock, and helped Anne Romaine, here in Nashville, and thru the region,  sustain the folk cultural vision for years with events like the Grass Roots Days in Nashville, and concerts with artists around the country as diverse as John D. Loudermilk to Babe Stovall, and the Rev. Pearly Brown, Pete and Mike Seeger, Alice and Hazel, and Lynn Chandler,  and many other artists linked like chains of visionary poets to the principal events sadly and sharply depicted in this movie – from civil rights to Kennedy deaths, to Lyndon Johnson’s war in Vietnam, to its continuation by the two criminals Nixon and Spiro Agnew, shown here as they ascend; and the New York folk scene shifts from vocal opposition to active organizing – a role of Ochs which was new and revealing to me. It would have made a better, and more balanced,  movie to show the black origins of the music and organizing tradition of the era, as best reflected in Dr. Reagon’s long career.

However, many of the other leading lights of the era appear to give commentary, from Joan Baez, to Pete Seeger, to the record company executives of Electra, Ochs early publisher, to A & M, his publisher as he moved to Los Angeles in the second half of the sixties decade and to new alternative musical modes of creativity, to other musicians, friends, and relatives, sister, brother, daughter, whose appearance as a small child is one of the more moving black and white images in the middle part of the film, as her color commentary at the end, about  her father’s life and legacy, is sobering.

The extent of Ochs’ career, as a writer, as well as an activist, which continues with artists like Buono, of U2, is well captured with many later artist-activists, many of which I did not know. The early village scene with artists like Bob Dylan, and Baez, and the concurrent musical themes reacting to the events in the South is very well captured. And the size and diversity of his musical creations are given regular short shots throughout the movie, well paced between song, interview and visuals. Many of Ochs best known performances are available now on UTube, for example -

http://www.youtube.com/watch?v=L5pgrKSwFJE

Although I had read of the competition between Ochs and Dylan, and it is briefly touched on in the movie, it is not a main theme, and indeed, their complimentary if competitive paths re-coalesce at an Ochs organized benefit after the CIA sponsored military takeover of the Allende democrats in Chile, in which the singer-songwriter, Victor Jara, was led into a stadium, filled with onlookers, and the singer’s fingers and hands were systematically smashed by rifle butts as a warning to the populace.

Ochs was sufficiently political and world traveled to have visited the Chilean singer just before the military coup, and organized a concert in Carnegie Hall to protest the vivid and viscious symbolic smashing of the songwriter’s hands by the Nixon-Kissinger-CIA backed military hunta.

According to the movie, the singer, Victor Jara, walked, his hands bleeding, toward the stands, and began to sing a patriotic song, and was joined by all in the stands, gradually, before he was shot down, murdered by the military.

Ochs and Village friends organized a Carnegie protest of this to bring it to world attention. The reconnection between Dylan and Ochs at this event is emphasized, rather than their sometime brutal competition, as footage of their joining together at the Carnegie Concert is shown, an event, again, which had slipped my ordinarily unrelenting Dylan history memory.

One could continue, as some reviews do, with reflections on Ochs ‘manic-depression’ and growing alcoholism, or marvel at his various incarnations – as an Elvis interpreter, in self-ironic jest – as a co-hort of the ‘yippies’ Ruben and Abbie Hoffman, (another alleged ‘manic depressive’ and drug abuser), or speculate about the lack of support of friends and family as he descended into ‘madness’ which various scenes toward the end capture – but, to me, this tragic aspect of his life is not the centerpiece.

No, that’s the beautiful voice, the tunes seemingly unending from his guitar, his laugh and joy in creation and opposition, and the contrast between a beautiful, if defeated creative life, and various evil, misguided, and murderous policies he dedicated his life and art to opposing.

Go see the movie for yourself. Or read the reviews, then go see it.

http://www.beyondchron.org/articbeles/Film_Review_Phil_Ochs_There_But_For_Fortune__8994.html

It plays two or three more days at the Belcourt. It’s the best movie I’ve ever seen about the sixties, but then, again, I see the era from the vantage point of its early literature – the song!! And, I know tragedy and literary triumph interconnect like earth, rain and spring.

The Apostate: A New Yorker Exposé Of The Church Of Scientology


The Apostate
Paul Haggis vs. the Church of Scientology.
by Lawrence Wright February 14, 2011

On August 19, 2009, Tommy Davis, the chief spokesperson for the Church of Scientology International, received a letter from the film director and screenwriter Paul Haggis. “For ten months now I have been writing to ask you to make a public statement denouncing the actions of the Church of Scientology of San Diego,” Haggis wrote. Before the 2008 elections, a staff member at Scientology’s San Diego church had signed its name to an online petition supporting Proposition 8, which asserted that the State of California should sanction marriage only “between a man and a woman.” The proposition passed. As Haggis saw it, the San Diego church’s “public sponsorship of Proposition 8, which succeeded in taking away the civil rights of gay and lesbian citizens of California—rights that were granted them by the Supreme Court of our state—is a stain on the integrity of our organization and a stain on us personally. Our public association with that hate-filled legislation shames us.” Haggis wrote, “Silence is consent, Tommy. I refuse to consent.” He concluded, “I hereby resign my membership in the Church of Scientology.”
Haggis was prominent in both Scientology and Hollywood, two communities that often converge. Although he is less famous than certain other Scientologists, such as Tom Cruise and John Travolta, he had been in the organization for nearly thirty-five years. Haggis wrote the screenplay for “Million Dollar Baby,”. . . Click here to read more[

[The New Yorker article is huge;  if you want a "Cliff's Notes" version, try this "What You Need to Know" article. -- LR]

Video Of/About Wisconsin Demonstrations Against Scott Walker

There is no order to these videos.  More will be added as people send them to me or as I glean them from the web. Most recent added are at bottom of each section (Video and Text)

Video Links

http://www.youtube.com/watch?v=vJOtUEORNkw&feature=player_embedded Solidarity video from Madison

http://www.youtube.com/watch?v=QZ5CqhL5X4o Todd Alan Price in Madison

http://www.youtube.com/user/tprice1963?email=share_video_user Todd Alan Price in Madison

http://www.youtube.com/watch?v=p8SEo9NV-UA Young trade unionists in Maryland

http://www.youtube.com/watch?v=jdLcGW4LRQc&feature=player_embedded I am a teacher

http://www.readersupportednews.org/off-site-opinion-section/72-72/4988-qdemocracy-uprisingq-in-the-usa Noam Chomsky on Democracy Now

http://maddowblog.msnbc.msn.com/_news/2011/02/17/6075298-never-poke-a-badger-in-the-eye Rachel Maddow – Poke A Badger In The Eye

http://www.youtube.com/watch?feature=player_embedded&v=CjcneEagoCE#at=75

http://therealnews.com/t2/index.php?option=com_content&task=view&id=31&Itemid=74&jumival=6291 TRNN: Class Struggle in Wisconsin. Paul Jay interviews AFL-CIO leader

http://vimeo.com/20110135 Cheesehead rally, NYC 2/18/2011

http://bit.ly/fr17Yc Impromptu b-boying in the rotunda
http://bit.ly/e3Ht3W State Senator Lena Taylor: Teachers are in the house!  2/15/2011
http://bit.ly/ebBF07 Firefighters at the capitol — bagpipers

http://www.facebook.com/home.php?#!/jobswithjustice Jobs With Justice site follows the activities closely with video, photo and text

http://vimeo.com/20089255 Matt Wisniewski’s excellent video beautifully captures the mood.  He sets up shots from the rallies of 2/15-2/17 to a background of Arcade Fire’s “Rebellion (Lies)”

http://www.youtube.com/watch?v=N_-NlVCPYWs The ED show (NY) calls on Democrats to have backbone, support workers (interesting clip of Ted Kennedy)

http://www.msnbc.msn.com/id/21134540/vp/41675756#41675330 The ED show from Madison Feb. 18 focuses on concessions made by workers, applauded by Democrats, and rejected by Scott Walker

http://therealnews.com/t2/index.php?option=com_content&task=view&id=31&Itemid=74&jumival=6299 Matt Rothschild (The Progressive Magazine) talks with TRNN about the history of progressivism in Wisconsin and the current battle)

http://www.facebook.com/video/video.php?v=10150104432416234 Posted by Michael Shallal, Cabbies support the Madison demonstrators

http://www.youtube.com/watch?v=lZsOKNfNkfQ Rep. Gordon Hintz chews out his colleagues for trying to force the “Repair Bill” through

http://vimeo.com/20168864 Matthew Wisnewski’s part 2, Feb. 18 and 19, set to “The Cave” by Mumford and Sons

http://www.youtube.com/user/cinderbelle319 Straightforward explanation about the situation surrounding the Wisconsin demos and the “Budget Repair Bill.” This is the first video by this 22 year old.  Hope to see a lot more

http://www.msnbc.msn.com/id/21134540/vp/41674668#41674668 Rachel Maddow drops some valuable Wisconsin and workers history to put things into perspective (then goes into her analysis, that this is all intended to give Republicans local and then national dominance in electoral politics):

http://vimeo.com/20146715 Todd Alan Price interviews, along with Luciano on camera (about one hour)

http://www.youtube.com/watch?v=0fCm6JcOMuM&feature=player_embedded Police officer testifies about the peaceful protests, Limbaugh and Fox News distortions

http://www.thenation.com/video/158811/students-and-workers-join-together-wisconsin Todd Alan Price for The Nation

http://therealnews.com/t2/index.php?option=com_content&task=view&id=31& TRNN examines how cutbacks in public services/public workers is a phony solution

http://therealnews.com/t2/index.php?option=com_content&task=view&id=31& Paul Jay (TRNN) proposes that Wisconsin’s billionaires should make some sacrifices too . . .

http://ednotesonline.blogspot.com/2011/02/wisconsin-ohio-indiana-new-york.html In this video from New York’s Ed Notes, Ed Schultz conducts interviews at a protest rally in front of Fox News HQ.  The video ends with a brillian satirical speech, imploring the crowd to pity the poor, suffering billionaires.

http://www.huffingtonpost.com/2011/02/22/walker-unions-wisconsin-protests_n_826908.html?ref=fb&src=sp Whoops!  Cutting benefits may actually COST money . . .

http://www.youtube.com/watch?v=nHIyRFH5r-I&feature=email Substance News video of the Feb. 26 solidarity with Wisconsin demo.  Background: Utah Phillips sings Solidarity Forever

http://therealnews.com/t2/index.php?option=com_content&task=view&id=31&Itemid=74&jumival=6367 TRNN sums up the struggle after the rally March 5, 2011

http://www.youtube.com/watch?v=rG9I-oA_Er0&sns=fb Two Weeks In Madison, a tribute video which is very effective

http://www.youtube.com/watch?v=pjCEW2J30oM Wisconsin Senate passes anti-collective bargaining bill  March 9, 2011

Music

http://www.youtube.com/watch?v=kYiKdJoSsb8&feature=player_embedded Pete Seeger and a “Solidarity Forever” video montage

http://www.youtube.com/wethepeoplewisconsin#p/c/7471346814D51E57/24/zWCixXEe35g Tom Morello sings “World Wide Rebel Songs” and brings greetings from Cairo to Madison

http://www.youtube.com/wethepeoplewisconsin#p/c/24/zWCixXEe35g Tom Morello sings to a rally on the state Capitol

http://www.youtube.com/watch?v=nHIyRFH5r-I&feature=email Utah Phillips backs this video up with an especially sonorous Solidarity Forever

http://www.youtube.com/watch?v=J0P4ZAyROfI Wayne Kramer is joined by Tom Morello and a bunch of others for jamming Kick Out The Jams

And Text and Non Video:

http://wisconsinwave.org/four-ways-build-wisconsin-wave-against-corporate-rule Wisconsin Wave

http://chilaborarts.wordpress.com/2011/02/16/the-aaup-comments-on-a-coordinated-attack-on-public-workers/ AAUP comments posted  on this blog

http://www.dispatchpolitics.com/live/content/local_news/stories/2011/02/10/copy/kasich-to-public-workers-you-strike-you-get-punished.html?adsec=politics&sid=101 Ohio threatens public workers

http://cwcs.ysu.edu/about/news/senate-bill-5-testimony Sherry Linkon & John Russo testimony re Ohio

http://www.progressive.org/wx021511.html Matt Rothschild on Wisconsin wars

http://www.truth-out.org/wisconsin-crowds-swell-30000-key-gop-legislators-waver67882 Truthout: Wisconsinites rally

http://www.buzzfeed.com/mjs538/the-best-protest-signs-at-the-wisconsin-capitol 45 Best signs at the Capitol

http://m.host.madison.com/mobile/news/opinion/editorial/article_61064e9a-27b0-5f28-b6d1-a57c8b2aaaf6.html Capital Times: Walker’s budget aids cronies

http://www.jsonline.com/blogs/news/116502958.html Walker rejects unions concessions

http://www.wlea.org/ Tracy Fuller, Exec. Director of the Wisconsin Law Enforcement Association regrets/repudiates endorsement of Scott Walker

http://www.thenation.com/blog/158741/aaron-rodgers-we-need-your-voice-wisconsins-working-families Dave Zirin calls on Green Bay Packer quarterback and shop steward, Aaron Rodgers to take a stand in Wisconsin

http://www.huffingtonpost.com/2011/02/18/russ-feingold-wisconsin-protests_n_825325.html Russ Feingold rallies workers in Madison

http://www.alternet.org/newsandviews/article/480120 Wisconsin uprising spreads to Indiana and beyond

http://www.alternet.org/newsandviews/article/480123 Walker’s statement shows the bill is not intended to solve the “economic crisis in Wisconsin”

http://www.seiu721.org/2011/02/post-1.php SEIU Local 721:  All eyes are on Wisconsin

http://www.alternet.org/newsandviews/article/479560 12 things you need to know about the Wisconsin uprising (Alternet)

http://www.facebook.com/profile.php?id=550496537&v=wall#!/album. Brett Jelinek’s extraordinary photo album of the rally Saturday, Feb. 19

http://www.politico.com/news/stories/0211/49888.html From Cairo to Madison, Free Pizza!  Culinary solidarity in action

http://www.reuters.com/article/2011/02/20/ West Virginia public workers rally in support of Wisconsin workers and to win rights for themselves

http://labournet.de/internationales/usa/arbeitskampf.html This German source for news about labor in the US has a section on Wisconsin.  This blog is sourced there as well as other info.

http://online.wsj.com/article/SB10001424052748704900004576152362740149144.html? Michigan Governor Rick Snyder won’t pick fights with unions

http://www.rawstory.com/rs/2011/02/22/indiana-democrats-flee-state-to-protest-anti-union-bill/ Indiana Democrat legislators follow the lead of their Wisconsin colleagues

http://blog.aflcio.org/2011/02/23/breaking-news-from-indiana-right-to-work-withdrawn/ AFL-CIO reports that Indiana Republicans withdrew right=to=work legislation

http://www.rawstory.com/rs/2011/02/22/hundreds-rally-at-iowa-capitol-over-labor-laws/ Iowans rally to support Wisconsin demonstrations

http://www.nytimes.com/2011/02/23/us/23ohio.html?_r=1&nl=todaysheadlines&emc=tha24 NYT reports on battles in other states, catching Wisconsin fever

http://thinkprogress.org/2011/02/21/leader-egyptian-unions-wisconsin/ Egyptian unions support Wisconsin protesters

http://www.commondreams.org/view/2011/02/22-13 Rose Ann De Moro on refusing to make benefits concessions

http://chicago.indymedia.org/newswire/display/93540/index.php Garth Liebhaber’s photos in Madison highlight members of the Chicago Teachers Union

http://www.channel3000.com/news/26998145/detail.html Saturday, Feb 26 will be the last day demonstrators will be allowed to occupy the capitol building in Wisconsin — unless officials heed the advice of the police.

http://www.rollingstone.com/politics/news/ Tom Morello, Madison, Frostbite and Freedom

http://www.stltoday.com/news/state-and-regional/missouri/article Missouri considering “right to work”

http://blogs.forbes.com/rickungar/2011/02/25/ Taxpayers Contribute Nothing To Public Employee Pensions

http://bigozine2.com/feature/?p=548 Bill Glahn interviews Wayne Kramer of the MC5, archival story from The Big O with relevance for today

http://www.montevidayo.com/?p=1026The Poet Brenda Cardenas reports from the scene and reflects on personal and political history

https://www.facebook.com/notes/ This link is a restricted one and requires that you are “friends” with Lew Rosenbaum on facebook.   Nick Lampert, Aaron Hughes and Dan Wang appeal from Wisconsin.

http://news.firedoglake.com/2011/03/09/anti-public-employee-bill-passes-senate- Anti collective bargaining passed by Wisconsin Senate

Vivian Maier, Chicago Street Photographer

From Chicago Tonight, with Phil Ponce, on WTTW Channel 11

Posted by John Maloof, http://vivianmaier.blogspot.com/

Cultural Connection: Vivian Maier
The amazing story of Vivian Maier, a Chicago nanny who took more than 100,000 photos during her lifetime but never showed them to anyone. Now that she’s gone and her photos have been discovered, some say she may rank among the top street photographers of the 20th century. Jay Shefsky brings us tonight’s “Cultural Connection.”
More Vivian Maier photos and information
The show at the Chicago Cultural Center, Jan. 7 – April 3

The link to the Chicago Tonight clip is also here. . .

Uncle Sam’s House of Horrors: Richard Neville in Counterpunch

[This story is bad enough.  Click this link to see the film, on line in its entirety.  In the aftermath of the Vietnam war, Phillip Knightley reviewed the history of modern war and concluded that truth was The First Casualty, also the title of his classic book. ]

January 5, 2011 Counterpunch

Smashing Plato’s Cave

Unlocking Uncle Sam’s House of Horrors

By RICHARD NEVILLE

The secrecy-busting by Wiki-leakers may take years to play out in the corridors of power, but there are signs on the ground that citizens are finally rubbing the sleep from their eyes. It’s an Aha moment: “They’ve been lying to us all this time”. And so they have; law-breaking with impunity, instigating  wars, abetting torture, renditions, secret jails; destroying documents, conspiring to steal DNA from diplomats, slaughtering civilians on several continents, plus much else besides and … weirdly… getting away with it. For how much longer?

Citizens today resemble the chained prisoners in Plato’s cave, mesmerized by the shadowy flickering on the wall, or on our TVs, which we mistake for reality. The images are illusions.  In Plato’s famous parable, a prisoner escapes from the cave and discovers the ‘real

Plato's Cave

world’ in all its heartbreak and glory, which he seeks to reveal to the inmates. The revelation is unwanted and the escapee is branded a lunatic.

This tale can be viewed from today’s perspective, where prisoners of the US military are shackled night and day, brutally beaten, tortured, humiliated, even “disappeared” until they lose all hope of re-entering  a world they once knew. Many prisoners are innocent, and – according to numerous accounts – many of the guards are psychopaths.

In October 2001, when the US invaded Afghanistan, an ill educated Australian searching for adventure, David Hicks, tried to flee. Previously he had enlisted in the Kosovo Liberation Army, then fighting against the Serbs in the Balkans, and allied with NATO. Hicks saw no action. A confused and uneducated but idealistic young man, he later sought to fight on the side of the Kashmiri people but changed his mind.  He had been briefly fascinated by Islam. Hicks was picked up by a Northern Alliance soldier and sold to US operatives for US$5000. As he states in his memoir, Guantanamo, My Journey, the brutal beatings began on day one in Afghanistan and he feared for his life. Like many others traded for cash, he is hooded, shackled, interrogated at gun point, repeatedly kicked, punched in the face, treated to mock executions and sodomized with a “large piece of white plastic” as a US soldier snarls “extra ribbed for your pleasure”.  The sadism is breathtaking – and this is just the beginning.

Hicks was among the first batch detainees to arrive at Guantanamo. Plonked on a lump of cement in a barbed wire cage, he is forbidden to look at his jailers . The only authorized positions are to sit or lie in the middle of the cage staring at a fixed spot in the sky or the concrete. The slightest variation provoked an attack from the Instant Reaction Force, who beat offenders to pulp, often accompanied by dogs.

Everything about Guantanamo is shameful and sick – including the inability of President Obama to wipe it from the face of the Earth. The observations of Hicks on his six years of cruel and unusual punishment are corroborated by numerous sources. Not a single soldier has been held to account, not even the ones who murdered three prisoners by stuffing rags down their throats.

Hicks strongly denies that he had any involvement with al-Qaeda and of course he would, and says he had not even heard of the organization until he was taken to Cuba. However, at a camp in in Afghanistan, he had met Osama Bin Laden which of course begs the question of what sort of camp it was and this understandably excited U.S intelligence. However, does this justify the repugnant behavior that has come to light at Guantanamo Bay and elsewhere? Think seriously about this, and if the answer is yes, then we are not who we claim to be.

When Major General Geoffrey Miller arrived at the facility, torments multiplied. “We were no longer entitled to toilet paper”, writes Hicks, “We were not allowed soap to wash our hands, yet still expected to eat with our fingers”. Inmates suffered prolonged solitary confinement, sleep deprivation, forced medication, forced nudity, pepper sprays, exposure to severe cold and “torture of a sexual nature”. It was Miller who introduced attack dogs, and when he was transferred to Abhu Ghraib, he again put them to work. Among the unforgettable series of porno tableaus created by the prison’s night shift, Miller’s dogs can be seen menacing inmates. (At his retirement ceremony in the Pentagon’s Hall of Heroes in 2006, Miller was honoured by the Vice Chief of Staff of the Army, Gen. Richard Cody.)

After 9/11, Neo McCarthyism took hold, traumatizing the media mainstream and reducing its reporters to war mongering hacks.  In rare moments, when excesses of the US military spilled onto the TV news, such the massacre of children in Afghanistan or the shooting of journalists in Baghdad, an “expert” was corralled to provide “context”.

Thanks to Wikileaks, a range of NGOs, independent  film makers, investigative web sites and a handful of defiantly un-embedded reporters, there is a shift in the wind. In John Pilger’s latest film, The War You Don’t See, you do surprisingly see a range of media heavies apologizing for biased reporting. “I didn’t really do my job properly,” BBC reporter Rageh Omaar admits to Pilger. “I’d hold my hand up and say that one didn’t press the most uncomfortable buttons hard enough.” Omaar describes how British military propaganda successfully manipulated coverage of the fall of Basra, which BBC News reported as having fallen “17 times”. This coverage, he says, was “a giant echo chamber”.

Veteran CBS news anchor Dan Rather tells Pilger “there was a fear in every newsroom in America, a fear of losing your job… the fear of being stuck with some label, unpatriotic or otherwise.” Rather said the war turned reporters into stenographers and that had “journalists questioned the deceptions that led to the Iraq war, instead of amplifying them, the invasion would not have happened”.  This view is reportedly shared by a number of senior journalists interviewed by Pilger.

Australia’s media fell head first into the propaganda trap, excited by Shock and Awe and hosting discussions with Pentagon experts, who claimed precision bombing in Baghdad would reduce civilian casualties.  The crushing of Falluja and other atrocities were scarcely mentioned.

John Pilger, whose film "The War You Don't See" indicts the media for not portraying the real war.

The War You Don’t See was screened in Britain in late December and quickly migrated to YouTube <http://www.youtube.com/watch?v=p7wXhN5h_Pg> and beyond. The response is astonishing. Scales are falling from the eyes of a new generation: I’m speechless, brokenhearted, and appalled at our own complicity… 90% Civilian deaths! …I could have watched another 3 hours more and still want more. … Awesome video, thank you all so much…!! Unfortunately, to stop all this, we have to re-think our entire concept of society, authority and personal responsibility and ability… And so on and so on.

Even those close to the US military have been jolted into re-assessing their mission, as in this confession by Tim King from Oregon’s Salem-News. “On the verge of understanding my own role in promoting the US wars overseas as a former embedded reporter, John Pilger’s new program shoved me right off of the cliff of ignorance, into a painful valley of understanding. I always thought I had a moral ‘out’ because even though I was a Marine, the only thing I ever shot in a war was my television camera. But as it turns out, when I confront this demon; I discover quite clearly that however small in comparison to some reporters, I was part of the problem.

In this age of terror it is time to focus on homegrown terrorists who pose as saviors; the gutless assassins of the CIA and its secret affiliates, flinging Drones at impoverished tribes, killing the good and the bad and the babies, just like in Vietnam.

As noted by anthropologist Maximilian Forte, the real war on terror is “in fact a global counterinsurgency program directed at all of us. We live in a regime of global occupation, where psychological warfare, assaults on human rights, and increasingly dictatorial state powers are directed against citizens, not just foreign “enemy combatants”.

In Plato’s cave the inmates are more at ease with illusions than the truth, much like today. Over the last decade millions have turned a blind eye to the stinking system of deception, torture and wholesale slaughter that has infected the West. Indifferent to treaties, conventions and the rules of war, the US government is a blot on the landscape of the future, a sleazy exterminator who never sleeps, addicted to war; unmoved by the carnage it creates.

The US Government proclaim a passion for freedom, even as they seeks to eliminate the freedom of others, such as Julian Assange, for exposing the inglorious exploits of its military, as it murders bystanders with a volley from a helicopter, followed by a chuckle.

Now  raining down from cyber space are revelations on what’s really been happening, as opposed the fairy tales told on TV. They provide a window of information. So what are we going to do about it?

Richard Neville lives in Australia, the land that formed him. In the Sixties he raised hell in London and published Oz. He can be reached at rneville@ozemail.com.au

There But For Fortune: Democracy Now Interview

January 06, 2011

Phil Ochs: The Life and Legacy of a Legendary American Folk Singer


 

Phil_ochs The legendary American folk singer Phil Ochs is widely regarded as one of the world’s most influential political musicians. Rising to fame in the 1960s, Ochs used his music to both chronicle and help mobilize the labor rights, civil rights and antiwar movements. A new documentary, Phil Ochs: There But for Fortune, has just been released chronicling Ochs’ life. We speak with Phil Ochs’ brother Michael and Kenneth Bowser, the director of the film, which premiered yesterday in New York City . . . Click here to read more, hear the interview.

Who Killed The Disneyland Dream? by Frank Rich in the New York Times

[The key in this story, I think, is the cultural shift in the last 50 years.  The subtext, explored only superficially, is the economic shift in the last 50 years. The economics of the fifties allowed for an expansive view of what was possible.  The economics of today, bred by the decline of the value of labor power, leads inescapably to the conclusion that people are superfluous.  Under those conditions, how is it possible to have access to a "frontierland" or a "tomorrowland," even granting that those entities are worth achieving.  There are a number of barely spoken problems with this story, primarily that, except for noting the lack of black faces in Disneyland Dream, Frank Rich nearly ignores the civil rights context in which the trip to Disneyland took place, ignores the conditions of life that made Langston Hughes write "life for me ain't been no crystal stair."  That contradictory moment both undermines his argument and confirms it -- the Civil Rights movement, an outgrowth both of the post war economic revolution and the post war consciousness that black GIs brought back home with them from the fight against European fascism, could not have developed without the hope to escape the desperate economic and political conditions that African Americans found themselves in.

I don't share Rich's admiration for Sorensen or for Holbrooke.  Both are enmeshed in the reprehensible imperial designs of post war America. One can quibble with a bit of Rich's understanding of history too.  He alludes to the bathrooms in fantasyland, marked "prince" and "princess."  From this he concludes that America of the fifties guaranteed people the dream of becoming royalty.  This of course flies in the face of the constitution itself, which denies royalty any place in America.  But then again, how can one quibble with the de facto royalty that made up the corporate capitalist class then, even more now, and the imperial reach of the government of, for and by the corporations?

Barry Blitt

One can quibble some about his ending as well.  The important thing is to recognize the direction of the shift that is taking place.  Too many of us still believe in the possibility of becoming Bill Gates.  That is one reason why polls showed the numbers supporting the tax cuts for the wealthy.  Surely a good number of folks saw the inevitable “compromise” on the horizon and opted for tax cuts for all versus no tax cuts at all.  But the numbers are diminishing, the ground is being cut out from the center and indeed the center cannot hold. This is not a question about the excesses of the financial markets and their greedy manipulators.  This is a crisis in the system of capitalism itself.

In 1957 I lived in Connecticut, like Barstow, the maker of Disneyland Dream.  I didn’t enter the contest his family did, did not praise the magic of “Scotch Tape,” did not get a free trip to Disneyland.  Instead, my father took an unpaid vacation from his job and paid for 3 tickets on one of those TWA planes with a refueling stop in St Louis to get us to visit my sister who lived in Buena Park, California, a stone’s throw from Anaheim and Disneyland itself.  I still remember the “prince” and “princess” bathrooms, which my family saw with a kind of amusement more than aspiration.  The ride I remember today more than any other is the mad tea party ride, an Alice in Wonderland metaphor, cups swirling so rapidly the centrifugal force drove me against the side of the cup, my head hanging over the side, unable to bring myself in until the ride stopped.  Capitalism’s had us on a whirl like that for the last 30 years, through dem0cratic and republican administrations.  The ride is coming to an end.  What replaces that ride depends on the riders;  either the riders replace the corporate control with a cooperative society, or those controlling the switches will find a worse game in which we may be allowed to be pawns — Lew Rosenbaum]

Op-Ed Columnist

Who Killed the Disneyland Dream?

By FRANK RICH
Published: December 25, 2010 in the New York Times

OF the many notable Americans we lost in 2010, three leap out as paragons of a certain optimistic American spirit that we also seemed to lose this year. Two you know: Theodore Sorensen, the speechwriter present at the creation of J.F.K.’s clarion call to “ask what you can do for your country,” and Richard Holbrooke, the diplomat who brought peace to the killing fields of Bosnia in the 1990s. Holbrooke, who was my friend, came of age in the Kennedy years and exemplified its can-do idealism. He gave his life to the proposition that there was nothing an American couldn’t accomplish if he marshaled his energy and talents. His premature death — while heroically bearing the crushing burdens of Afghanistan and Pakistan — is tragic in more ways than many Americans yet realize.

Damon Winter/The New York Times

Frank Rich

But a third representative American optimist who died this year, at age 91, is a Connecticut man who was not a player in great events and whom I’d never heard of until I read his Times obituary: Robbins Barstow, an amateur filmmaker who for decades recorded his family’s doings in home movies of such novelty and quality that one of them, the 30-minute “Disneyland Dream,” was admitted to the National Film Registry of the Library of Congress two years ago. That rare honor elevates Barstow’s filmmaking to a pantheon otherwise restricted mostly to Hollywood classics, from “Citizen Kane” to “Star Wars.”

“Disneyland Dream” was made in the summer of 1956, shortly before the dawn of the Kennedy era. You can watch it on line at archive.org or on YouTube. Its narrative is simple. The young Barstow family of Wethersfield, Conn. — Robbins; his wife, Meg; and their three children aged 4 to 11 — enter a nationwide contest to win a free trip to Disneyland, then just a year old. The contest was sponsored by 3M, which asked contestants to submit imaginative encomiums to the wonders of its signature product. Danny, the 4-year-old, comes up with the winning testimonial, emblazoned on poster board: “I like ‘Scotch’ brand cellophane tape because when some things tear then I can just use it.”

Soon enough, the entire neighborhood is cheering the Barstows as they embark on their first visit to the golden land of Anaheim, Calif. As narrated by Robbins Barstow (he added his voiceover soundtrack to the silent Kodachrome film in 1995), every aspect of this pilgrimage is a joy, from the “giant TWA Super Constellation” propeller plane (seating 64) that crosses the country in a single day (with a refueling stop in St. Louis) to the home-made Davy Crockett jackets the family wears en route.

To watch “Disneyland Dream” now as a boomer inevitably sets off pangs of longing for a vanished childhood fantasyland: not just Walt Disney’s then-novel theme park but all the sunny idylls of 1950s pop culture. As it happens, Disney’s Davy Crockett, the actor Fess Parker, also died this year. So did Barbara Billingsley, matriarch of the sitcom “Leave It to Beaver,” whose fictional family, the Cleavers, first appeared in 1957 and could have lived next door to the Barstows. But the real power of this film is more subtle and pertinent than nostalgia.

Read the rest of this story on the New York Times web site.

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